Episode 309 of Mad Men aired last night on AMC. The hour was full of buzz worthy scenes, but one plot line stood out as a lesson for today’s ad men (and women). It is September 1963, Conrad “Connie” Hilton of the international Hilton hotel enterprise and creative director Don Draper have been working together for several months. Their relationship is multi-faceted: client to creative, friend to friend, father to son, man to man. For Draper, the Hilton account has become all-consuming.
Initial campaign ideas such as “Hilton. Your window on the world.” and “Go. We’re here waiting for you.” fall flat and never make it to the client. During a late night back and forth, Connie tells Don, “Hilton is America and that’s why people around the world want it. They want what we have. America is going to the moon, Don. I want Hilton on the moon.” [paraphrased]
Later, Don proudly presents a strong Hilton campaign along the theme “How do you say fresh towels in Farsi? Hilton.” “How do you say hamburger in Japanese? Hilton.” etc.
Connie isn’t impressed. Why? Don didn’t give him what he wanted…The Moon.
Whether literal or allegorical, this struck a chord with me. If Conrad Hilton literally wants an illustration of a Hilton hotel on the moon, that’s ridiculous, and Don should object. But, what if he just wants more? Creative that’s more than good, more than strong?
In advertising, or any creative partnership, the best clients are those who push us to do our best work. It’s easy to decide the client is getting in the way of great creative. It’s more difficult to recognize when we are.





